Taking Out the Brushes

I am about to embark on my first full painting in five years. Tonight during prayer at my community group, and especially on the ride home afterward, my mind was possessed by a vivid truth: we do not see the weight of our sin because we do not see the sacrifice. We do not see the blood.

The visual arts communicate truth in a way that nothing else quite can. It is our gift as humans to be creative, imaginative, to subdue the earth for resource (not to be confused with destroying it)… to create works of art for the glory of God. If that work of art can stimulate visually the truth of our salvation, how can I refuse any longer to make it?

Working title of the painting: Sacrifice of the Lamb

(Above image: Vincent Van Gogh’s The Painter on the Road to Tarascon)

Whitewashed

Let he who has ears hear:

Then Jesus said to the crowds and to his disciples: “The teachers of the law and the Pharisees sit in Moses’ seat. So you must be careful to do everything they tell you. But do not do what they do, for they do not practice what they preach. They tie up heavy, cumbersome loads and put them on other people’s shoulders, but they themselves are not willing to lift a finger to move them.

“Everything they do is done for people to see: They make their phylacteries wide and the tassels on their garments long; they love the place of honor at banquets and the most important seats in the synagogues; they love to be greeted with respect in the marketplaces and to have people call them ‘Rabbi.’

“But you are not to be called ‘Rabbi,’ for you have only one Master and you are all brothers. And do not call anyone on earth ‘father,’ for you have one Father, and he is in heaven. Nor are you to be called ‘teacher,’ for you have one Teacher, the Messiah. The greatest among you will be your servant. For those who exalt themselves will be humbled, and those who humble themselves will be exalted.

“Woe to you, teachers of the law and Pharisees, you hypocrites! You shut the door of the kingdom of heaven in people’s faces. You yourselves do not enter, nor will you let those enter who are trying to.

“Woe to you, teachers of the law and Pharisees, you hypocrites! You travel over land and sea to win a single convert, and then you make that convert twice as much a child of hell as you are.

“Woe to you, blind guides! You say, ‘If anyone swears by the temple, it means nothing; but whoever swears by the gold of the temple is bound by the oath.’ You blind fools! Which is greater: the gold, or the temple that makes the gold sacred? You also say, ‘If anyone swears by the altar, it means nothing; but whoever swears by the gift on the altar is bound by the oath.’ You blind men! Which is greater: the gift, or the altar that makes the gift sacred? Therefore, anyone who swears by the altar swears by it and by everything on it. And anyone who swears by the temple swears by it and by the one who dwells in it. And anyone who swears by heaven swears by God’s throne and by the one who sits on it.

“Woe to you, teachers of the law and Pharisees, you hypocrites! You give a tenth of your spices—mint, dill and cumin. But you have neglected the more important matters of the law—justice, mercy and faithfulness. You should have practiced the latter, without neglecting the former. You blind guides! You strain out a gnat but swallow a camel.

“Woe to you, teachers of the law and Pharisees, you hypocrites! You clean the outside of the cup and dish, but inside they are full of greed and self-indulgence. Blind Pharisee! First clean the inside of the cup and dish, and then the outside also will be clean.

“Woe to you, teachers of the law and Pharisees, you hypocrites! You are like whitewashed tombs, which look beautiful on the outside but on the inside are full of the bones of the dead and everything unclean. In the same way, on the outside you appear to people as righteous but on the inside you are full of hypocrisy and wickedness.

“Woe to you, teachers of the law and Pharisees, you hypocrites! You build tombs for the prophets and decorate the graves of the righteous. And you say, ‘If we had lived in the days of our ancestors, we would not have taken part with them in shedding the blood of the prophets.’ So you testify against yourselves that you are the descendants of those who murdered the prophets. Fill up, then, the measure of the sin of your ancestors!

“You snakes! You brood of vipers! How will you escape being condemned to hell? Therefore I am sending you prophets and sages and teachers. Some of them you will kill and crucify; others you will flog in your synagogues and pursue from town to town. And so upon you will come all the righteous blood that has been shed on earth, from the blood of righteous Abel to the blood of Zechariah son of Berekiah, whom you murdered between the temple and the altar. Truly I tell you, all this will come on this generation.

“Jerusalem, Jerusalem, you who kill the prophets and stone those sent to you, how often I have longed to gather your children together, as a hen gathers her chicks under her wings, and you were not willing. Look, your house is left to you desolate. For I tell you, you will not see me again until you say, ‘Blessed is he who comes in the name of the Lord.’ “

–Matthew 23, TNIV

The Defication of the World

So…

1. My car was robbed in my apartment complex parking lot Monday night. My front passenger side window was smashed in and my GPS stolen.

2. About two weeks ago, Edgar’s, a “men’s emporium,” opened on the Southern Seminary campus. It sells mid- to upper-range men’s suits, fountain pens, and haircuts in the guise of teaching men to “dress like preachers.” Being another excuse not to leave the seminary campus and to spend extravegant amounts of money on luxury items, this is of course the exact thing I think the seminary needs to be doing. Yeah… barf.

3. Meanwhile, the campus has made all sorts of other cutbacks, including slashing over 30 jobs and getting rid of departments and programs. The Center for Christianity and the Arts is soon to be no more. After all, what minister needs to know about art (nevermind the fact that the arts are what shape culture and are the showing sign of a culture)? Who needs to know about the arts when ministering to a visually-oriented society? Much more important is a three-piece suit.

Our world is so fallen. I feel much less animosity with the person who broke into my car right now than with the trustees and administration of the seminary. I, quite frankly, have been royally pissed with the way they have made these decisions as of late and find them contrary to the Gospel mission. What we expect of a fallen world is for it to act fallen. We expect the Church to be on mission for the Gospel, but this is a Church still under the influence of a fallen world. We, as Christians, live in a way contrary to the gospel despite our best efforts. Christ has given us much mercy in the way we have sought to live out this mission.

Reviews: ESV with Apocrypha and the NLT Catholic

A few weeks ago, I asked the question: how do you perceive editions including Apocrypha of traditionally Evangelical Protestant translations of the Bible? I got very little response. Yet the issue remains: two major Evangelical translations now feature editions with Apocrypha: The English Standard Version Bible with Apocrypha (Oxford University Press, 2009) and the New Living Translation Catholic Reference Edition (Tyndale, 2003). The NLT edition features books included in Catholic bibles and places them in the order they appear there. The ESV edition features books of the Catholic and Orthodox bibles, set aside in an “Apocrypha” section after the Old and New Testaments.

I have recently managed to obtain copies of both of these and read large portions. Here are my initial thoughts:

English Standard Version Bible with Apocrypha
The translation of the Apocrypha for this edition was commissioned by Oxford University Press under permission (but without the involvement) of Crossway, which developed and owns the rights to the ESV. It was competed under the guidelines set forth for the ESV and was adapted and updated from the Apocrypha of the 1977 edition of the Revised Standard Version, just as the rest of the ESV was.
Pros: This is a very comprehensive translation of the Apocrypha because it (like the RSV and NRSV) include the books and book expansions found in the Catholic and Orthodox canons. Oxford did a very good job putting it together. The text is a great size, as well as a great font (Optima, usually only used in editions of the TNIV by Zondervan). The paper is opaque enough for easy reading, though not as opaque as the NLT below. Combined with other elements signature of the high quality of Oxford bibles (including some very nice maps in the back), it is a very nice editon.
Cons: As with the rest of the ESV, this is highly literary and also essentially literal, this either may be perfect for you or the furthest thing from your cup of tea. It is quite readable, but its sophisticated style of language may put some off. Great with poetry, it can range from enriching to tedious when used in narrative.

New Living Translation: Catholic Reference Edition
The translation of the Apocrypha in this version, despite the title, did not involve any Roman Catholic scholars. Surprise! It is a 2003 update to the 1996 NLT (before the 2004 revision).
Pros: This is the most readable rendering of the books of the Apocrypha that I have ever read. The story of 1 and 2 Maccabbees really comes alive in this rendering. If someone wants to read through these books and other deuterocanonical books, this is a real pleasure read. The edition itself has a more opaque paper than I was expecting, and the fact that it is one of the few editions of the NLT in only black-letter is a major plus for me.
Cons: This is not as expansive as the ESV’s Apocrypha, being only the books of the Catholic Bible. Also, some might be put off by the fact that it is a somewhat simple, dynamic-equivalent translation and not “literal” like the ESV, RSV, and many other translations of these books. Also, the manufacturing is a bit cheap, but not outstandingly so.

Goodbye, John Updike

John Updike, one of America’s most acclaimed writers, died today at age 76. John Updike may be most famous for The Witches of Eastwick and his Rabbit series. Many who have been through high school and college literature classes, however, will probably know him best for his adolescent teen-angst short story “A&P,” about the observances of a young supermarket clerk. Updike focused on small-town America and, as such, captured something remarkably familiar to 20th Century Americans in his writing. Updike’s hyper-descriptive style which brought these down-to-earth stories to life may be a product of his background in both English and graphic arts (visual artists tend to write in a very illustrative style). Updike may have been one of the most important American authors of the past century. Along with the recent death of quintessential American artist Andrew Wyeth, this is looking to be a year of great loss for the American arts and humanities.

On Communicating Truth

My roommate Marty has posted an excellent article called “‘The Truth,’ Communication, and the Intellectual Achilles’ Heel” for those of us academically/intellectually-oriented Christians who may need a dose of humility and reminder of our mission from time to time. There’s nothing wrong with studying the depths of Christian thought… but let’s not forget to preach the Truth that we know in ways that people can actually comprehend. Marty makes a great reference to a sort-of “‘orthodox’ Gnosticism,” that is, an attitude of having a “higher knowledge” that can creep into our egos because we pour over Christian thought day and night. Let us never think too highly of our intellect in the sight of the one who “laid the foundations of the earth” or exalt our place in the Church that rests on the bones of fishermen.

Goodbye, Andrew Wyeth

Andrew Wyeth, one of the 20th Century’s most important American painters, died today at age 91. His representational paintings went against the mainstream of modernism and postmodernism that so dominated the landscape of the art world of his lifetime. Personally, the melancholy beauty of his paintings always stirred me as extraordinarily familiar. Wyeth did not dress up his scenes but painted them in a way that both tugs at you and makes you reflect on the state of reality. Some of my favorites:

 

Winter 1946

Christina’s World (1948)

Trodden Weed (1951)

Master Bedroom 1965

The Carry (2003)

Stop (2008)